Jonathan’s central focus is on Nick Grayson –
the lovable but in-your-face, flaming gay son of an absentee Dick Grayson
(a.k.a. Nightwing, who happens to be Batman’s prized protege).
In a clumsy but successful plot to kidnap Nick, Jonathan, in dramatic
form, proclaims unto a very puzzled and somewhat uninterested Nick what
has fueled his hatred. It is not until the dominatrix of the asylum,
Donna Isley (super-hero Poison Ivy’s leather-donning, fetish-freak
daughter) reveals that Napier’s ultimate goal to kill Nick is
when the flamboyant queen’s flaming personality starts to dim
– but only temporarily.
Although Nightwing’s status as the ultimate, modern
hero is established, the real heroes are the least likely characters
of “A Joker’s Card.”
Jonathan and Vince have a chance encounter with a seemingly
innocuous, heavy-set Ellen – who not at all resembles her shapely
Wonder Woman maternal figure. Ellen wasn’t looking for any trouble
but follows up on her instincts to sneak up on the plotting duo’s
trail, only to complete an allegiance amongst Nick, Donna and herself
– while discovering abilities no one, including Ellen, herself
– knew she had.
Complete with action-fight scenes that lampoon not only
classic comic book elements but Hollywood’s larger-than-life depictions
of them, “A Joker’s Card” manages to leave you wondering
why all these super-kids -- who on the surface seem so dysfunctional
-- are, in fact, stable and in touch with the human condition.